Online Mixing Colour Accurately for Watercolour Course

Jackie Isard Botanicals – Mixing Colour Accurately for Watercolour Course (Launches every 3 months, next course September 2018)

I’ve been busy preparing my new online colour course! I’ve developed and planned a course which will help you to ‘See’ colour with a better ‘eye’. It has been very successful so far and students have found they mix colours far more easily than they used to.

The course involves comprehensive notes, video clips together with a series of exercises which can be done in your own time. We cover mixing with primaries, those difficult greens, botanical greys (we touch on this, an advanced course will cover this in more detail at a later stage) and neutral beige/brown tones for those beautiful Autumn colours. There are tutorial videos for some of the exercises as well as videos for beginners. Exercises include making a few small reference charts, matching swatch colours and many other useful tips/exercises. The course also involves some important exercises which are posted to you and your final work will be assessed by post too. Part of the course has to be done by post because this is all about mixing colour accurately. A computer screen or scan/photo/colour copy will not show true colour! There is a Secret student group page for posting work and discussion. I am available on Facebook Private Messenger, Whatsapp or Email to answer any questions you have during the course. Please bear in mind the time difference if you are overseas! I appraise your work as you complete each of the Lesson exercises via Private Messenger and give a personalised final appraisal by letter at the end of the course.

Some student reviews:
“Mixing watercolour accurately is exactly what this fantastic course has taught me and a most enjoyable process too. Very much a novice, the notes and exercises are clear and easy to follow. The feedback was prompt and very helpful. All in all – BRILLIANT! Thanks Jackie.” Sylvia

“I’m very satisfied of improvements obtained. Before my paintings were a bit ‘childish’. Now they are more realistic. I learned to recognize the subtle shades of color, to mix them and to obtain more natural colours. And I understood how much I still have to learn by looking carefully at my surroundings.” Simona

“At last!! I now approach colour mixing in a more organised and knowledgable way. I now search for ‘many’ colours within a plant and have gained the confidence to closely match them. This course should be compulsory for all botanical painters. Jackie is a knowledgable and encouraging tutor who responds quickly to our questions and posts on the ‘Secret’ Student Facebook page. Wish I had taken this course before I started my Certificate! Thank yo Jackie” Catherine

I am very pleased with this course! After all the exercises and tasks, I finally began to see the colour and understood how to mix it. I liked the fact that I had not only charts of colours but even in the end had practical tasks for a better understanding of colour on real leaves and flowers. Separately, I will highlight the fact that Jackie responded very quickly to questions and supported throughout the course. I highly recommend this course to anyone who wants to learn how to mix watercolour accurately for Botanical painting” Svitlana

Payment can be made via PayPal, details will be sent on Registration. If you do not have PayPal, it’s really simple to set up online. Just visit www.paypal.com. Bank transfer is only available using a UK bank account. Please request bank details if required.

Contact me for more details!

Blog 10: SBA awards – ‘Vessels of Life’

seed heads-J.Isard20171012_163603

I was thrilled last week to receive a phone call from the SBA (Society of Botanical Artists) announcing that I had been presented with a CBM (Certificate of Botanical Merit) award for my seed head painting ‘Vessels of Life’. This award was created by the SBA to give credit to artists whose paintings/drawings are created in true botanical style and who may at some time in the future be awarded medals at the RHS (Royal Horticultural Society) Botanical Exhibition. I am now very privileged to use the letters CBM after my name. So you can see why I am so excited!

For more about the awards see: https://www.botanicalartandartists.com/news/society-of-botanical-art-2017-certificates-of-botanical-merit

This was one of three paintings which were chosen to be hung at the SBA exhibition The other two are featured below –

The exhibition this year is outstanding and I will now be seeing it twice when I go again on the 21st! My award was presented to my by Jekka of Jekka’s Herb Farm . Her speech was really interesting, informative and funny. It is sad to see Sarah Wall-Armitage retire as president but welcome Billy Showell as the new one!

For more about the painting of the painting and video tips, see Blog 9

Cards, small prints and Limited Edition unmounted or mounted prints available. Contact me on Facebook or here.
20171015_112540 (1)

Thank you for reading!
All photos and images on this blog are copyright of Jackie Isard Botanicals, all rights reserved

 

NEW Botanical & Nature Watercolour Painting courses!

I’m excited to announce that I have launched 3 initial courses at Brackenwood Plant & Garden Centre, Leigh Court Estate, Pill Road, Abbots Leigh, Bristol BS8 3RA starting in March 2017. Courses are £35 per person per day. It’s an exciting adventure for me!

The first three courses are geared around important watercolour painting techniques which aim to improve your skills and give you the know-how to create beautiful botanical watercolours.

Course 1 : Watercolour Painting Techniques 1 – 18th March 10am-4pm

On the first course I will teach you the techniques necessary to achieve perfect Wet-in-Wet. Link to event on FB

Course 2 : Watercolour Painting Techniques 2 – 15th April 10am-4pm

On the second course I will teach you washing out, shading, dry brush, how to paint fine lines, erasing out and perfect fine detail. Link to event on FB

Course 3: Mixing Colour Accurately – 27th May 10am-4pm

On this course we will learn colour mixing and matching to plants making swatch records, learn how to create bright tones, learn how to get perfect neutral (natural) tones, other bits and pieces like overlaying tints to enhance colours and not quite 50 shades of grey! Link to event on FB

To book please contact me personally by email at jackieisard@googlemail.com and I will send you full details and material lists. Look out for more courses and future online tuition on my FB page Jackie Isard Botanicals

20160912_124041

NEW Botanical & Nature Watercolour Painting courses!

I’m excited to announce that I have launched 3 initial courses at Brackenwood Plant & Garden Centre, Leigh Court Estate, Pill Road, Abbots Leigh, Bristol BS8 3RA starting in March 2017. Courses are £35 per person per day. It’s an exciting adventure for me!

The first three courses are geared around important watercolour painting techniques which aim to improve your skills and give you the know-how to create beautiful botanical watercolours.

Course 1 : Watercolour Painting Techniques 1 – 18th March 10am-4pm

On the first course I will teach you the techniques necessary to achieve perfect Wet-in-Wet. Link to event on FB

Course 2 : Watercolour Painting Techniques 2 – 15th April 10am-4pm

On the second course I will teach you washing out, shading, dry brush, how to paint fine lines, erasing out and perfect fine detail. Link to event on FB

Course 3: Mixing Colour Accurately – 27th May 10am-4pm

On this course we will learn colour mixing and matching to plants making swatch records, learn how to create bright tones, learn how to get perfect neutral (natural) tones, other bits and pieces like overlaying tints to enhance colours and not quite 50 shades of grey! Link to event on FB

To book please contact me personally by email at jackieisard@googlemail.com and I will send you full details and material lists. Look out for more courses and future online tuition on my FB page Jackie Isard Botanicals

20160912_124041

Blog 7: Pretty Flamingo!…

After a visit to Slimbridge Wildlife Park I was keen to paint Flamingo feathers. It took a bit of hard work trying to source some moulted feathers but eventually Birdland Park & Gardens in Bourton on the Water came up with the goods, thank you Simon at Birdland! www.birdland.co.uk

I selected three feathers from the bundle posted to me. I chose these three for their wonderful shapes and thought they made for a lovely composition.

20161126_114826
A bit about Flamingos…

These tall wading birds are called Phoenicopterus and the feathers that were sent to me are from the Greater Flamingo species Phoenicopterus roseus. Flamingos have been know to man for thousands of years. They feature in cave paintings in Spain (5000BC) and the Egyptians used them as a symbol to indicate the colour red and even regarded it as the living embodiment of the sun-god Ra. The red/pink feather colour comes from a diet of crustacea and algae. Here are the Flamingos at Birdland in Bourton on the Water, Cotswolds. My feathers are from the paler birds.

flamingos

Mixing the pink!

To begin my painting I had to match the beautiful pink of these feathers. After a few trials I found that Winsor & Newton Opera Rose (OR) and Cadmium Yellow Deep (CYD) gave me the rich bright orangey/pink I needed. Other colours I mixed were variations of pale greys, some pinky, a cooler grey and a very pale yellow using Trans Yellow (TY) mixed with a tiny bit of the Flamingo Pink I had mixed previously. I also mixed some of this pink to make my pinky grey. You’ll notice on my swatch that there is a duller looking pink which I used for shadows and stronger details, this was mixed using Sennelier Rose Madder Lake (SMRL), Winsor Orange (W.O) and Cadmium Yellow Deep. When re-mixing the Flamingo pink I had to test it a few times as the mix would look different with the slightest change in quantities.

Painting the curved feather

The curved feather had awkward angles and so I had to make sure the drawing was absolutely spot on. I started by doing my pale washes and then built up the colour gradually. There were some deep shadows where it turned and for this I used stronger versions of my pale greys and the flamingo pink. I created these deep shadows  by working in between the whiter wisps. In this way you get the white wisps overlaying it.

20161128_151235
Painting the oval feather

The oval feather was a lovely shape but much paler that the others. It was hard to keep the subtlety of this one without over painting it. For this feather I built up the layers slowly and left it lighter than the others. There were more highlights on this one which helped to keep it from looking flat. Also notice the darker areas along the right side and the left side of the rachis (mid vein), this enhances it’s curved appearance.

20161203_113050
Painting the large feather

I saved painting this feather until last as it was my favourite one and the most striking in my composition. The top part had lots of furls and creases and the colour faded gradually down to almost white at the bottom. Plus, I thought to myself, how am I to paint those tiny little veins!

I started with a very pale wash leaving the paler areas free of paint. I used a watery mix of the cooler grey and pinky grey to indicate shadows on the paler part of the feather. It took 3 layers to get it up to the right strength of pink at the top. I was now ready to add in the darker pink shadows on the folds and furls. To get the appearance of the tiny veins I used a the same technique that I used in my Feathery Pursuits blog. I used the Flamingo pink on the top part of the feather and the pinky grey and cool grey further down on the lighter areas. Blog 5 contains a video showing you how to do this dry brush technique. See this link: https://jibotanicals.com/2016/10/01/blog-5-feathery-pursuits/

20161202_150315

Painting the shiny white highlights

My paper was not white enough to show the shine on the rachis (mid vein) and feathers so I turned to my Daniel Smith iridescent paints. Pearlescent White did the trick. If you shine a light onto the painting or turn it sideways you can see the glow of the pearlescent paint. I have yet to find a pure white that has such a good effect. Well, I’ll just have to have a spotlight pointing down onto it if it’s ever framed and hung on a wall!

pearlescence
Painting the after feathers – pale wispy bits

You have to approach this part with great care and start with a very, very pale colour. You can always add but you cannot take away! The greys and pinky greys are made with very strong pigments and almost impossible to erase out without damaging the papers surface. Using the cooler grey with a flicking motion, you can interpret the wispy feathers. Afterwards add occasionally add some of the pinky grey and very pale pink. Once you’re happy with the result you can then add a few darker bits to show the shadows. It’s also good to add a few very fine chevron side hairs to some of the larger wisps. It’s hard to see on the image below but hopefully you’ll see what I mean.

closewispy
Now my painting was complete! Please excuse the greyness of the photos but these winter days are so dark and dreary!

final-flamingo
I must apologise for no videos on this blog, however, I will be doing a blog in a few weeks about my Dying Magnolia Leaves painting and will try to video some things which will be of interest to you. I hope you enjoyed this blog and thank you for reading.

Until then happy painting and a very Merry Christmas & Happy New Year!

*All photos, content, text and videos are subject to copyright – Jackie Isard Botanicals 2017
robin_small

 

First blog post

This is my first blog! … and one of many more to come

This year I have been accepted to exhibit with the RHS. Very exciting for me! I am making a sketchbook specially dedicated to wildflowers and pollinators using it to study for my RHS entry in 2019. This blog will show how I develop the ideas and show my progress as I go along. I hope you enjoy it.

Recently I have become very passionate about wildlife and meadow wildflowers, as well as important pollinators. I’ve also been following Plantlife and their project to preserve our declining meadowland. This affects our Bees and wildlife and is of great concern. They are working very hard to ensure our wildlife and wildflowers are protected and I feel very strongly about this, so much so that I decided to choose this as my theme for my RHS project.

I’ve been visiting meadows these last few months to find plants of interest to my studies. It has opened up a whole new world to me. It’s like when you buy a new car, you suddenly notice loads of them on the road! I’ve seen wildflowers I’ve never seen before and wow! they are beautiful. As a botanical artist I’ve been studying them very closely and seen so much beauty in what many would call ‘weeds’. I’ve noticed insects I’ve never met and they’ve bitten me sometimes!

I’m looking forward to visiting Kingcombe meadow next week whist on a course with Sarah Morrish painting butterflies. A very knowledgable lady who I admire so much. She has been an inspiration to me.

Well, I’ll be back soon with my next blog soon. Enjoy!