Blog 15: Online Course – Mixing Colour Accurately for Watercolour for Botanical

Jackie Isard Botanicals – Mixing Colour Accurately for Watercolour for Botanical 

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A course for those who struggle to mix accurately with watercolour! Learn how to mix watercolour accurately using primaries. You’ll be amazed at what can be achieved with practice and you won’t need to buy so many pigments!

THIS IS A COURSE  YOU CAN JOIN AT ANY TIME! Private message me on Facebook or email me to Register, please – jackieisard@googlemail.com.

This course is for Beginners and Intermediate students. The course contains a lot of exercises, detailed course notes, pre-recorded video tutorials and a dedicated Secret Facebook Group, all designed and created by your tutor Jackie Isard. It concentrates on mixing with primaries and aims to help you ‘see‘ colour more easily whilst building your confidence in colour mixing. It’s definitely not another course with endless colour charts! 

Details of the course:

• A course designed to help you ‘see’ colour more easily and build your confidence with colour selection and application
 
• No endless charts!
 
• A listed palette of pigments to buy (Winsor & Newton professional watercolours). A very versatile palette of pigments!
 
• Learn how pigments work
 
• Many exercises that teach you how to mix accurately.
 
• Detailed notes and pre-recorded video tutorials
 
• Develop a structured way to test colours and mixing possibilities
 
• Understand which pigments to choose for vibrant mixes and subdued tones
 
• Practical tasks for a better understanding of colours and what they do
 
• Patient online appraisal at every stage throughout the course
 
• A dedicated student group page to share and learn
 
• A final appraisal letter and certificate
 

The course exercises can be done in your own time. We will cover pigment qualities, warm and cool pigments, those difficult greens, botanical greys (we touch on this, there is more detail in my book ‘Watercolour Mixing Techniques for Botanical Artists’), mixing purely with primaries and neutral beige/brown tones for those beautiful Autumn colours. Learn from the pre-recorded video tutorials and there are a couple specifically for beginners. You will be added to a hidden Facebook Group where the video tutorials are held. In this group you can view other students work, find useful tips and post your work for appraisal if you choose to (personal appraisal is always done via private messenger, not publically). One-to-one tuition and help is always on hand and you will never have to wait long for a response. It is important to me that every student is given the attention and help they need to ensure they have a successful and rewarding journey throughout the course.

Exercises include making a few small reference charts, matching swatch colours, mixing with cool and warm primaries and many other useful tips/exercises from which you will learn how to ‘see‘ and mix colour more accurately.

I am always available on Facebook Private Messenger or Email (unless I’m asleep!) to answer any questions you have during the course. Please bear in mind the time difference if you are overseas! I appraise your work as you complete each of the Lesson exercises and give you a personalised final appraisal at the end of the course. You will also receive a graded certificate for your efforts!


Some student reviews:

“I wanted to learn from Jackie the day I first saw a pic of her painting on FB. Her painting was highly detailed and showed a certain sensitivity to colour. Fortunately for me, Jackie announced an online course a few days later. I paid up for the ‘Mixing colour accurately course’ but was a bit skeptical of learning online. Having completed the course, my doubts stand dispelled. The course content, the exercises and the patient online appraisal of the exercises by Jackie, all made for good learning. I recommend the course to anyone on a tight budget. It has taught me a structured way to test a colour and it’s mixing possibilities.” Raashmi

“Mixing colour accurately is exactly what this course has taught me and a most enjoyable process too. Very much a novice, the notes were clear and easy to follow. The feedback was prompt and very helpful. All in all – Brilliant, Thanks Jackie” Sylvia

“At last! I now approach colour mixing in a more organised and knowledgeable way. I now search for ‘many’ colours within a plant and have gained the confidence to closely match them. This course should be compulsory for all Botanical artists. Jackie is a knowledgeable and encouraging tutor who responds quickly to your questions and posts on the dedicated group page.” Christine

“Thank you for the very clear instructions, I read them all and watch all the videos, they are all very useful and easy to follow. Jackie Isard you are great artist and a great teacher too!” Mari

“I am very pleased with this course! After all the exercises and tasks, I finally began to see colour and understand how to mix it. I liked the fact that I had not only charts of colours but even in the end practical tasks for a better understanding of colour on real leaves and flowers. Separately it will highlight the fact that Jackie responded very quickly to questions and supported me throughout the course. I highly recommend this course to anyone who wants to learn how to mix watercolour accurately for botanical” Svitlana

“The course material for this colour mixing course is structured, interesting and clear. The exercises explained well and the extra videos and Facebook group tips are a bonus. I have learned to look further than ‘first sight’ when looking at a plant. A green leaf is not just green but a myriad of green tones and hues. What I most appreciated was Jackie’s personal support and the speedy replies with appraisal. It is an important motivator when working online.” Hilde

See Jackie Isard Botanicals on Facebook and private message me for more details about me. Join my mail list for updates on courses and workshops www.jibotanicals.co.uk.

Payment can be made via PayPal, details will be sent on Registration. The fee is £105 UK and Internationals. If you do not have PayPal, it’s really simple to set up online. Just visit www.paypal.com. Bank transfer is only available using a UK bank account.

Please contact me by email or Facebook private messenger for Registration details!

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Great news received March 2021!

My first published book has arrived in the UK! So exciting! More details below.

Watercolour Mixing Techniques for Botanical Artists

A practical guide to accurate watercolour mixing with primaries for botanical artists

Colour mixing is a key skill for the botanical artist. In this practical guide, Jackie Isard explains how to observe and use colour accurately. She shows artists how to make informed choices when selecting pigments, as well as how to learn about colour mixing and its application.
• Gives detailed instruction and advice on understanding colour and pigments
• Explains how to ‘see’ colour and tricky mixes, from greens and reds to the difficult botanical greys
• Includes advanced colour application techniques – colour enhancement, shadow colours and colour temperature transition
• Step-by-step guides illustrate how to paint with layers, how to use underlaying colours to enhance, and colour and fine detailing

Order online via major book shops or Amazon. Published by The Crowood Press Ltd

Arriving 22nd March 2021, USA arrival October 2021. E-books are also be available worldwide.

USA and Canada distributor: www.ipgbook.com

Otherwise, Europe or UK can order through www.crowood.com or as below:

Amazon link UK : https://www.amazon.co.uk/Watercolour-Mixing-Techniques-Botanical-Artists/dp/1785008285
Waterstones link UK :https://www.waterstones.com/book/watercolour-mixing-techniques-for-botanical-artists/jackie-isard//9781785008283
WHSmith link UK: https://www.whsmith.co.uk/products/watercolour-mixing-techniques-for-botanical-artists/jackie-isard/paperback/9781785008283.html






Email address:jackieisard@googlemail.com
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Web: https://www.jibotanicals.co.uk/
Etsy shop: https://www.etsy.com/uk/shop/jibotanicalsGifts

Blog 10: SBA awards – ‘Vessels of Life’

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I was thrilled last week to receive a phone call from the SBA (Society of Botanical Artists) announcing that I had been presented with a CBM (Certificate of Botanical Merit) award for my seed head painting ‘Vessels of Life’. This award was created by the SBA to give credit to artists whose paintings/drawings are created in true botanical style and who may at some time in the future be awarded medals at the RHS (Royal Horticultural Society) Botanical Exhibition. I am now very privileged to use the letters CBM after my name. So you can see why I am so excited!

For more about the awards see: https://www.botanicalartandartists.com/news/society-of-botanical-art-2017-certificates-of-botanical-merit

This was one of three paintings which were chosen to be hung at the SBA exhibition The other two are featured below –

The exhibition this year is outstanding and I will now be seeing it twice when I go again on the 21st! My award was presented to my by Jekka of Jekka’s Herb Farm . Her speech was really interesting, informative and funny. It is sad to see Sarah Wall-Armitage retire as president but welcome Billy Showell as the new one!

For more about the painting of the painting and video tips, see Blog 9

Cards, small prints and Limited Edition unmounted or mounted prints available. Contact me on Facebook or here.
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Thank you for reading!
All photos and images on this blog are copyright of Jackie Isard Botanicals, all rights reserved

 

NEW Botanical & Nature Watercolour Painting courses!

I’m excited to announce that I have launched 3 initial courses at Brackenwood Plant & Garden Centre, Leigh Court Estate, Pill Road, Abbots Leigh, Bristol BS8 3RA starting in March 2017. Courses are £35 per person per day. It’s an exciting adventure for me!

The first three courses are geared around important watercolour painting techniques which aim to improve your skills and give you the know-how to create beautiful botanical watercolours.

Course 1 : Watercolour Painting Techniques 1 – 18th March 10am-4pm

On the first course I will teach you the techniques necessary to achieve perfect Wet-in-Wet. Link to event on FB

Course 2 : Watercolour Painting Techniques 2 – 15th April 10am-4pm

On the second course I will teach you washing out, shading, dry brush, how to paint fine lines, erasing out and perfect fine detail. Link to event on FB

Course 3: Mixing Colour Accurately – 27th May 10am-4pm

On this course we will learn colour mixing and matching to plants making swatch records, learn how to create bright tones, learn how to get perfect neutral (natural) tones, other bits and pieces like overlaying tints to enhance colours and not quite 50 shades of grey! Link to event on FB

To book please contact me personally by email at jackieisard@googlemail.com and I will send you full details and material lists. Look out for more courses and future online tuition on my FB page Jackie Isard Botanicals

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NEW Botanical & Nature Watercolour Painting courses!

I’m excited to announce that I have launched 3 initial courses at Brackenwood Plant & Garden Centre, Leigh Court Estate, Pill Road, Abbots Leigh, Bristol BS8 3RA starting in March 2017. Courses are £35 per person per day. It’s an exciting adventure for me!

The first three courses are geared around important watercolour painting techniques which aim to improve your skills and give you the know-how to create beautiful botanical watercolours.

Course 1 : Watercolour Painting Techniques 1 – 18th March 10am-4pm

On the first course I will teach you the techniques necessary to achieve perfect Wet-in-Wet. Link to event on FB

Course 2 : Watercolour Painting Techniques 2 – 15th April 10am-4pm

On the second course I will teach you washing out, shading, dry brush, how to paint fine lines, erasing out and perfect fine detail. Link to event on FB

Course 3: Mixing Colour Accurately – 27th May 10am-4pm

On this course we will learn colour mixing and matching to plants making swatch records, learn how to create bright tones, learn how to get perfect neutral (natural) tones, other bits and pieces like overlaying tints to enhance colours and not quite 50 shades of grey! Link to event on FB

To book please contact me personally by email at jackieisard@googlemail.com and I will send you full details and material lists. Look out for more courses and future online tuition on my FB page Jackie Isard Botanicals

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Blog 7: Pretty Flamingo!…

After a visit to Slimbridge Wildlife Park I was keen to paint Flamingo feathers. It was hard work trying to source some moulted feathers but eventually Birdland Park & Gardens in Bourton on the Water came up with the goods, thank you Simon at Birdland! www.birdland.co.uk

I selected three feathers from the bundle posted to me. I chose these three for their wonderful shapes and thought they made a lovely composition together.

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A bit about Flamingos…

These tall wading birds are called Phoenicopterus and the feathers that were sent to me are from the Greater Flamingo species Phoenicopterus roseus. Flamingos have been know to man for thousands of years. They feature in cave paintings in Spain (5000BC) and the Egyptians used them as a symbol to indicate the colour red and even regarded it as the living embodiment of the sun-god Ra. The red/pink feather colour comes from a diet of crustacea and algae. Here are the Flamingos at Birdland in Bourton on the Water, Cotswolds. My feathers are from the paler birds.

flamingos

Mixing the pink!

To begin my painting I had to match the beautiful pink of these feathers. After a few trials, I found that Winsor & Newton Opera Rose (OR) and Cadmium Yellow Deep (CYD) gave me the rich bright orangey/pink I needed. Today (2022) I wouldn’t use these pigments as they are both opaque and Opera Rose is unreliable where lightfastness is concerned. I prefer the translucency of transparent pigments. Please note: I would most likely use Quinacridone Magenta and Indian Yellow.

Some other colours I mixed were various pale greys, a pink/grey, a cooler grey and a very pale yellow using Transparent Yellow (TY) mixed with a tiny bit of the Flamingo Pink I had mixed previously. I also use some of this pink to make my pink/grey. You’ll notice on my swatch that there is a slightly duller looking pink which I used for shadows and stronger details, this was mixed using Sennelier Rose Madder Lake (SMRL – Permanent Rose could be used instead), Winsor Orange (W.O) and Cadmium Yellow Deep. When re-mixing the Flamingo pink I had to test it a few times as the mix would look different with the slightest change in quantities.

Painting the curved feather

The curved feather had awkward angles and so I had to make sure the drawing was absolutely spot on. I started by adding pale washes and then built up the colour gradually. There were some deep shadows where it twisted and for this, I used stronger versions of my pale cool grey and beige/grey. I added a very pale glaze of Transparent yellow to warm the underneath pale wispy feathers. I created these deeper shadows by working in between the whiter wisps, this is called negative painting. Note: the photo of the feather appears much darker than in real life. Again I used some iridescent paint towadd shine.

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Painting the oval feather

The oval feather was a lovely shape but much paler than the others. It would be hard to keep the subtlety of this one without overpainting it. I built up the layers slowly and kept it as light as I could throughout. There were more highlights on this one which helped to keep it from looking flat. Also, notice the subtle shadows I have added along the right side and the left side of the rachis (mid vein), this enhances the curved appearance.

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Painting the large feather

I saved painting this feather until last as it was my favourite one and the most striking in my composition. The top part has lots of furls and creases and the colour faded gradually down to almost white at the bottom. Plus, I thought to myself, how am I going to paint those tiny little strands!

I started with a very pale wash of my flamingo pink mix leaving the paler areas free of paint. I used a watery mix of the cooler grey and pink/grey to indicate shadows on the paler part of the feather. It took three layers to get the pigment up to the right strength at the top. I was now ready to add in the darker pink shadows on the folds and furls. To get the appearance of the tiny stands I used the same technique that I used in my Feathery Pursuits blog, the duller Flamingo pink was used to create the overlaps and shadow areas. The pink/grey and cool grey were used further down on the lighter areas. A little thin glaze of transparent yellow was also added along the right side near the rachis (midrib). Blog 5 contains a video showing you how to do this. See this link: https://jibotanicals.com/2016/10/01/blog-5-feathery-pursuits/

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Painting the shiny white highlights

My paper was not white enough to show the shine on the rachis (midrib) and feathers so I turned to my Daniel Smith iridescent paints. Pearlescent White did the trick. If you shine a light onto the painting or turn it sideways you can see the glow of the pearlescent paint. I have yet to find a pure white that has such a good effect. The only time I use white or iridescent pigments is when it is absolutely necessary. On plants, there are sometimes very fine hairs which need a little white pigment to make them show up. White pigment is also opaque. I usually mix white pigment with a little colour as the hairs on a plant are never truly white. Well, I would just have to have a spotlight pointing down onto it if it’s ever framed and hung on a wall! This year, 2020, a good friend from USA purchased this painting and it is now framed and lit at her home in Conneticut.

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Painting the after feathers – pale wispy bits

You have to approach this part with great care and start with a very, very pale colour. You can always add but you cannot take away! Pale watery mixes can be hard to work with but as long as you remove a little of the excess on your brush by wiping it on a cloth, you’ll be ok. They often dry darker than you think too, so test first. The grey and pink/greys are made with very strong pigments and would be almost impossible to erase out without damaging the paper’s surface. Using the cooler grey with a flicking motion, you can interpret the wispy feathers. Afterwards, I added a little pink/grey and very pale pink (see below) to define the thicker areas. Once I was happy with the result I added a few slightly darker strokes to imitate the shadows. It’s also good to add a few very fine chevron side hairs to some of the larger wisps. Not all of them or it would look too contrived! It’s hard to see on the image below but hopefully, you’ll see what I mean!

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Now my painting was complete! Please excuse the greyness of the photos but these winter days are so dark and dreary in the UK!

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I must apologise for no videos on this blog, however, I will be doing a blog in a few weeks about my Faded Magnolia Leaves painting and will try to video some things which will be of interest to you. I hope you enjoyed this blog and thank you for reading.

Until then happy painting and a very Merry Christmas & Happy New Year!

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*All photos, content, text and videos are subject to copyright – Jackie Isard Botanicals 2017

First blog post

This is my first blog! … and one of many more to come

This year I have been accepted to exhibit with the RHS. Very exciting for me! I am making a sketchbook specially dedicated to wildflowers and pollinators using it to study for my RHS entry in 2019. This blog will show how I develop the ideas and show my progress as I go along. I hope you enjoy it.

Recently I have become very passionate about wildlife and meadow wildflowers, as well as important pollinators. I’ve also been following Plantlife and their project to preserve our declining meadowland. This affects our Bees and wildlife and is of great concern. They are working very hard to ensure our wildlife and wildflowers are protected and I feel very strongly about this, so much so that I decided to choose this as my theme for my RHS project.

I’ve been visiting meadows these last few months to find plants of interest to my studies. It has opened up a whole new world to me. It’s like when you buy a new car, you suddenly notice loads of them on the road! I’ve seen wildflowers I’ve never seen before and wow! they are beautiful. As a botanical artist I’ve been studying them very closely and seen so much beauty in what many would call ‘weeds’. I’ve noticed insects I’ve never met and they’ve bitten me sometimes!

I’m looking forward to visiting Kingcombe meadow next week whist on a course with Sarah Morrish painting butterflies. A very knowledgable lady who I admire so much. She has been an inspiration to me.

Well, I’ll be back soon with my next blog soon. Enjoy!